ANN NOËL
Biography
1944 | Born in Plymouth, England |
1964-68 | Studies of Graphic design and Visual |
Communication at the Bath Academy | |
of Art | |
1968-69 | Residence in Stuttgart; works for Hansjörg |
Mayer at Edition Hansjörg Mayer | |
1969-70 | Residence in New York, work for Dick |
Higgins at the Something Else Press | |
1970 | Marriage with Emmett Williams |
1970-74 | Los Angeles, Graphics Workshops |
Supervisor at the California Institute of | |
the Arts | |
Halifax, Visiting Lecturer at the Nova | |
Scotia College of Art & Design | |
1973 | Birth of son Garry Williams |
1977-80 | Cambridge, Visiting lecturer and Artist-in- |
Residence at the Carpenter Center | |
for the Visual Arts at the Harvard | |
University | |
Resident Tutor at Leverett House, | |
Director of the Agassiz Print Workshop | |
at the Radcliffe College | |
1980 | Moved to Berlin, Germany |
1982-89 | Six books of Ann Noel released at the |
Rainer Verlag Berlin | |
1986 | Residence in Salzburg, Austria, assisting |
Emmett Williams’ class “Language | |
Happenings” at the Sommerakademie | |
für Bildende Kunst | |
1987 | Residence in Tokyo, Japan, Guest Printer |
at the Machida-shi Museum | |
of Graphic Arts | |
1990/92 | Residence at Malindi Artists’ Proof |
Malindi, Kenia | |
2006 | Residence in IIlici (Mostar), |
Herzegowina, Radobolja 2006. | |
2008 | Residence in Venice as guest of the |
Emily Harvey Foundation, | |
Residence at the island Karpathos, | |
works for the project „S.I.N.N.” | |
Ann Noël lives and works in Berlin |
Solo exhibtions (selection)
2014 | Potpourri, Emerson Gallery Berlin |
2013 | Give & Take, CEAC- Chinese European Art |
Center, Xiamen, China | |
Musings, Emerson Gallery Berlin | |
2012 | REVERIE, Galeria AT, Posen, Poland |
2011 | Keys to My Heart, Galerie und Edition |
Marlene Frei, Zurich, Switzerland | |
2008 | Ann Noël, Anna Leonowens Gallery, |
NSCAD University, Halifax, Canada | |
2007 | Combines, Galerie & Edition Marlene |
Frei, Zurich, Switzerland | |
Synoptikon, Emerson Gallery Berlin | |
2005 | Circles, Colours, Collages, Galeria |
Oko/ Oucho, Posen, Poland | |
2004 | Four Letter Words, Emerson Gallery Berlin |
2003 | SCHEIN & SEIN, Kunst und Kulturforum, |
Hermannsburg, | |
Zur Weinprobe, BEWAG Heizkraftwerk- | |
Moabit, Berlin | |
2002 | MY WORD! MEINE GÜTE!, Halle LinX, |
Berlin | |
2001 | ANNdenken, Galerie & Edition Marlene |
Frei, Zurich, Switzerland | |
2000 | Windows on the World, Galerie AT, |
Posen, Poland | |
1998 | Odds & Ends, Galerie & Edition Marlene |
Frei, Zurich, Switzerland | |
1997 | The Details of Living, Galerie Beim |
Steinernen Kreuz, Bremen | |
1996 | Ann Noël mit Emmett Williams, Galerie 13, |
Hannover | |
1994 | Der Reihe Nach, Galeria Dziekanka, |
Warsaw, Poland | |
Haus am Lützowplatz, Berlin | |
1991 | KONVERGENZEN II, mit Ruth Tesmar, |
Festspielgalerie, Berlin (Catalogue) | |
1990 | Mala Kolekcyja (Small Collections), |
Galeria AT, Posen, Poland | |
1984 | Conflux, Galeria Akumulatory, Warsaw, and |
Galeria RR, Posen, Poland | |
1982 | YOU, daadgalerie, Berlin (publication by |
DAAD and Rainer Verlag under the same title) | |
1978 | Vine Art Portraits, Carpenter Center for the |
Visual Arts, Harvard, USA |
Performances
2008 | museum FLUXUS +. with Ben Patterson, |
Hommage to Emmett Williams, | |
Museum of Modern Art, Tallin, two days of | |
performance with Eric Andersen, Alison | |
Knowles, Ben Patterson, Ben Vautier u.a. | |
fort he opening of the exhibition FLUXUS EAST. |
|
FLUX-FOLK, with Eric Andersen, Wolfgang | |
Hainke, Ann Noël and Ben Patterson at | |
museum FLUXUS +, Potsdam, with the | |
performance Weil Wir Es Uns Wert Sind. | |
Cabaret Voltaire, Zurich, Switzerland with Eric | |
Andersen, Hannah Higgins, Alison Knowles, | |
Larry Miller and Ben Patterson | |
2007 | FLUXID, Henning Christiansen, Den Frie |
Udstillingsbygning, Hommage to Emmett | |
Williams. | |
Schinkelhalle, Potsdam, with | |
Der Maulwerker, Hommage to Wolf Vostell | |
2006 | Kassel, Kunsthalle Fridericianum, |
fremd bin ich eingezogen, with Emmett Williams. | |
Heidelberg, Deutsch-Amerikanisches Institut, | |
Words & Voices, with Emmett Williams | |
2005 | Berlin, Akademie der Künste Archiv, |
August 18, LOTTE LENYA’S BACK IN TOWN. | |
Geneva, Attitudes, FESTIVAL ROARATORIO, | |
April 22-24 with John Giorno, | |
Bernard Heidsieck, Gérard-Georges Lemaire, | |
Joan Retallack, Anne Tardos and | |
the Group “Mösiöblö”. | |
2004 | Liverpool, Liverpool Institute for Performing |
Arts, record performances on film | |
with Eric Andersen, Ben Patterson and Emmett | |
Williams at the George Martin Studio with | |
students in the auditorium. | |
Frankfurt, Museum für Moderne Kunst, | |
Warhol Beuys Superstars, | |
directed by Michael Staab. | |
Lille, Musée d’art moderne Lille Metropole, | |
Performance à partir de textes de | |
Robert Filliou (also with Jerôme Bailleul). |
Group exhibitions (Selection)
2009 | Passing Through, Co-Curator with Rsyzard |
Wasko for the exhibitions and 5 weekends | |
with performances in the Kunstpunkt Berlin, | |
with more than 30 participating | |
international artists | |
2008 | FLUX-FOLK, with Eric Andersen, Wolfgang |
Hainke and Ben Patterson in the | |
museum FLUXUS + | |
2006 | Fluxus Festival and exhibition with Ay-O, |
Jürgen Olbrich and Emmett Willimas in | |
Ono. Fukui Prefecture, Japan. | |
terra incognita – Topsy-Turvy Topography, | |
Kunsthalle Bremen | |
2005 | Fama Fluxus Mythos Beuys |
Sindelfingen, Projekte Sindelfingen, | |
Intermezzo IV, Emerson Gallery Berlin, | |
with Victor Kégli, Ann Noel and Ryszard Wasko | |
2004 | First Art Biennale in Lodz, Poland |
2003 | VERY BRITISH?, Die Drostei, Pinneberg, |
Germany | |
2002 | Sammlung Walter & Maria Schnepel, |
Neues Museum Weserburg, Bremen | |
2001 | Leonardo in Azione e Poesia, |
Vinci (Florenz), Italy (Catalogue) | |
2000 | Construction in Process VI, This World is |
a Flower, Bydgoszcz, Poland | |
1999 | Poesia Totale, Palazzo Della Ragione, |
Mantua, Italy (Catalogue) | |
TRACE, Project GIVE & TAKE, 1. Liverpool | |
Biennale of Contemporary Art (Katalog) | |
1998 | Construction in Process VI, Artists’ |
Museum, Melbourne, Australia (Catalogue) | |
1997 | Tuchfühlung, Group NO NO JA, |
Langenberg, Germany (Catalogue) | |
1995 | Construction in Process V – Co-Existence, |
Mitzpe Ramon, Israel (Catalogue). | |
Artists’ Books in Germany 1960-1990, | |
ifa Galerie, Berlin (Catalogue). | |
Poesia Visiva e Dintorni, in conjunction with | |
2 Worlds’ Festival, Spoleto, Italy (Catalogue) | |
1993-94 | Copigraphic Interconnections, MONTAGE 93, |
Rochester, USA (Katalog + CD-Rom) | |
1993 | Construction in Process IV, Artists’ |
Museum, Lodz, Poland (Catalogue) | |
1992 | THE SeOUL OF FLUXUS, Hyundai Gallery |
and Won Gallery, Seoul, Korea (Katalog) | |
1991 | W(H)/ALE, Städtische Galerie im Buntentor, |
Bremen | |
1990 | Construction in Process III – Back in Lodz, |
Artists‘ Museum, Lodz, Poland | |
1988 | Processing Copies, Western Front Gallery, |
Vancouver, Canada | |
1987/88 | Et Cetera: International Seminars on the |
Arts, Warsaw, Poland | |
1985 | Festival of Fantastics (FLUXUS), Galleri |
Sct. Agnes, Roskilde, Denmark (Video) | |
Bibliography (Selection)
2011 | Rock ‘N’ Roll History of Art, with Ann Noël and |
Grzegorz Pleszynski, Municipal Gallery bwa in | |
Bydgoszcz. | |
2009 | NOEL BERLIN/ VERONA CONZ, |
Edizione Francesco Conz, Verona | |
2006 | Williams: A Flexible History of Fluxus Facts and |
Fictions, Edition Hansjörg Mayer, Thames | |
and Hudson, London. | |
1996 | Mr. Fluxus – ein Gemeingschaftsportrait von |
George Maciunas, Harlekin Art, Wiesbaden. | |
Mr. Fluxus – A Collective Portrait of | |
George Maciunas, Thames and Hudson, | |
London and New York |